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Greetings! My name is Matthew, and I love to listen to all types of metal. I'm a high school English teacher and aspiring writer. I also write reviews for the Metal Utopia webzine!
Showing posts with label Impending Doom. Show all posts
Showing posts with label Impending Doom. Show all posts

Tuesday, July 3, 2018

Impending Doom - "The Sin and Doom Vol. II" Review




     Impending Doom has been a prolific deathcore band throughout most of their career, but The Sin and Doom Vol. II, the band's sixth studio album, marks the longest gap of time between the band's releases.  After back to back albums in 2012 and 2013 (Baptized in Filth followed by Death Will Reign), there has been a silence of almost 5 years.  A lot can happen in that amount of time -- some bands break up, some change their sound completely, and others cycle band members.  However, Impending Doom is the same band that they've been for a decade -- they play fast, heavy hitting deathcore with uncompromising, Godly lyrics.
     The Sin and Doom Vol. II sounds fresh; while the band harnesses the same sound and energy on the surface, there is something energetic about this album that I haven't felt since There Will Be Violence.  Front man Brook Reeves is the face and backbone of the band, growling and shrieking with enough passion to scare the demons out of hell.  Longtime guitarist Manny Contreras (Sleeping Giant, Bleeding Through) is accompanied on his shredding with rhythm guitarist Eric Correa.  Brandon Trahan makes magic with the drum kit while bassist David Sittig keeps the band centered.  The Sin and Doom Vol. II displays Impending Doom at the top of their game.  Apparently, deathcore is not quite dead, even in 2018.
     On to the music!  The album begins ominously with "The Wretched and Godless," with vague apocalyptic noises that blossom into a shattering death metal assault.  There's some operatic singing in the background that is barely audible, but it serves to give the song an end-of-the-world feeling.  Then it's on to "Burn," a more rhythmic track that is reminiscent of material from The Serpent Servant.  Near the end of the song, the band executes a gradual tempo change, demonstrating that they've been working on their musicianship during these 5 years.  "War Music" launches with distorted guitar that catapults into patterned drumming.  There's an obvious hardcore feel to this particular song, and Trahan simply slays with the drums.
     Song number 4 is pure EVIL.  No, really -- that's the name of the song:  "EVIL."  It's a signature Impending Doom track, with enough blast beats and breakdowns to satisfy even the most enlightened purveyor of mosh pits and hardcore dancing.  "Paved with Bones" is an unrelenting and furious slab of death metal.  The advantage of having multiple guitars can clearly be seen on this track, as the two musicians face off with dueling riffs. 
     Take a deep breath.  We're past the halfway point, with even more crushing death metal to experience.  "The Serpents Tongue" is a short, violent song that dips the band into mediocrity for a few moments.  But the band is back on track with "Unbroken."  There are some djent influences on this song, which surprised me a bit, but they don't overshadow the band's core deathcore sound.  If "Devils Den" doesn't get your heartbeat up and your fist pounding the air, then you might want to check to see if you're still among the living.  Reeves sells this song with his passionate growling:   "Slaughter the demons that are crawling on my brother's back!"  "Devils Den" is the heaviest song that the band has written in a while, and even if it isn't "Nailed. Dead. Risen," I'll take it.
     Two tracks remain on The Sin and Doom Vol. II.  "Everything's Fake" features some unique guitar work; accompanied by the drumming, it gives the song an almost frantic feel at times.  Reeves also drops his voice into some low, guttural sections that make the hair stand up on the back of the neck.  The album closes with "Run For Your Life (She Calls)."  The beginning of the song doesn't really feel like Impending Doom.  It's almost too upbeat.  However, as dark clouds gather on the horizon and thunder peals, the band that we all know and love emerges.  Heavy hitting drums and fast guitars light up the stage as Reeves growls his heart out one final time. 
     The Sin and Doom Vol. II is a solid deathcore album that shows that Impending Doom is back and stronger than ever.  A lot of people have forgotten about this deathcore titan, but do yourself a favor and rediscover them with this new material.  While The Sin and Doom Vol. II isn't the album I necessarily expected in 2018, as the deathcore scene is much reduced from what it was years ago, it's a blast of nostalgia that doesn't stop pummeling your ear drums until the final note fades away.

Rating:  8/10

Tuesday, March 13, 2012

Impending Doom - "Baptized in Filth" Review

Impending Doom - Baptized in Filth
E1 Records
Genre:  Deathcore

Overall Rating:  8.0 out of 10.0

Brook Reeves (vocals)
Cory Johnson (guitars)
David Sittig (bass)
Brandon Trahan (drums)

1.  Murderer (4:22)
2.  For the Wicked (3:33)
3.  Chaos:  Reborn (3:55)
4.  Deceiver (3:36)
5.  Falling Away (3:41)
6.  Absolute Horror (1:56)
7.  Angry Letters to God (3:11)
8.  Baptized in Filth (2:28)
9.  My Light Unseen feat. Ryan Clark of Demon Hunter (3:42)
10.  Death. Ascension. Resurrection. (4:10)



Impending Doom has taken the metal community by storm and gathered a legion of fans from around the world.  It's safe to say that they are one of the fastest, heaviest, and most committed bands around.  Baptized in Filth is their fourth full-length record and their first signed to E1 music.  Needless to say, the record delivers everything that most fans expected:  it follows a recipe of calculated aggression.  Think a mongoose poised on its hind feet, teeth barred with saliva drooling down its chin, about to launch an attack on a coiled cobra.  Take it a step further and view that serpent as an analogy for Satan and it pretty much sums up the record.  Impending Doom warns their listeners with a stern voice that the end of this world holds no place for the wicked at heart.

So let's talk about the music itself.  The record opens with a solid track, Murderer.  One of the things that I love about this song and a few others on the record is that there is a signature vocal line that's easy to understand and that is repeated with reckless abandon.  Fans (me included) simply love to shriek along with Brook on lines like "I am a murderer."  The record remains fairly strong throughout, and with the exception of Falling Away (a mishmash of average boredom) I would say that there aren't any bad songs or glaring mistakes.  Impending Doom manages to mix in the the right amount of breakdowns and aggression.  Melody for the most part lurks behind dissonant chords and veiled riffs, but I breathed a sigh of relief as I was listening to My Light Unseen.  I love it when a band collaborates with another band (barring Lady Gaga or Bieber) so I was quite happy that they chose Ryan Clark of Demon Hunter.  He brings welcomed variation to the record.  Maybe Demon Hunter will return the favor on their upcoming album...

All in all, Baptized in Filth is a solid mark in the discography of a popular, talented band.  I wasn't slavering like a starving mutt staring at a juicy pork chop, but I was pleasantly satisfied.  Impending Doom fans and fans of deathcore in general will want to pick this album up.  Below is a breakdown by track, for those of you who are interested.


Murderer is an aggressive song that sets the pace for the whole record.  It's everything that fans have come to love about Impending Doom:  fast, shredding guitar chords amplify glorious breakdowns and beastly, heartfelt shrieks of "I am a murderer!"  Not bad at all.

For the Wicked is a driving force that throbs in the ear drums and slams the back of the skull with a splitting hammer.  An abrasive, minor chord sets up growls of "Take the number you've chosen.  666 is one with the fallen."  Yeah, we've all heard it in metal before...but this time it's the wicked that had better run and hide!

So far so good, but I'm wanting something a little bit different, with a more varied song structure.  Chaos:  Reborn borrows a page from There Will Be Violence, but ultimately fails to set itself on a pedestal.  This song brings nothing new to the slaughter, although the signature riff contained within its walls of sound is  refreshing.

Deceiver begins with atmospheric drums and a chugging bass line.  Then anarchy ensues and the listener is pulled into a song chock full of dissonant guitars, tight drumming, and a few good ol' bass drops. Whispered vocals provide variation and a build-up toward the end of the song.

Every been tempted to hit the skip button?  Falling Away is definitely not the shining star of the record.  If anything, it pulls the band down towards mediocrity.  The song does begin to redeem itself towards the end with a different, softer section, but then launches into a typical breakdown and I'm falling away from the keyboard as my eyelids grow tired.

What's this?  A melodic intro?  Absolute Horror is nothing complicated, but it has a creepy tone with some sweet background drumming.  While short, it's a great change of pace and gets me back into the record.

Groove.  It's something that Impending Doom has recently discovered, especially with their last record.  The guitars on Angry Letter to God are very groove-oriented and drive the crushing song forward.

Baptized in Filth definitely deserves to be the title track.  Quite possibly, it's one of the fastest, heaviest songs that the band has written (which is saying something).  Needless to say, I think I now have stomach ulcers after this song...

Ryan Clark, you are simply amazing.  I was really, really happy when I found out that Impending Doom was collaborating with one of my favorite artists of all time.  Some hardcore fans of the band might be turned off.  In fact, I can imagine them raging.  Well, come sit down on my lap and let's learn a lesson.  Music is more than just breakdowns and bloodcurdling shrieks (although I love my share of both).  The band made a really smart move here:  My Light Unseen does wonders for the overall pace of the record.    So yes:  an Impending Doom ballad now exists.

How a record ends is critical.  Impending Doom does not fail in this account:  Death. Ascension. Resurrection. is a monster.  The song showcases the talent of the band and leaves the listener on a positive note.  The three words separated by periods also invokes the band's first album and the title track (Nailed. Dead. Risen.).

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How did I come up with my rating?  Well, I have this little scale that isn't technical at all, but merely shows how I enjoy the album.

1-2 (Poor - throw it in the trash, give it to your dog to chew on)
3-4 (Not very good, probably a waste of money - but there's been worse)
5-6 (Average, but not exactly knocking my socks off)
7-8 (Pretty darn good.  The band's got what it takes to be a favorite of mine)
9-9.9 (Excellent.  Will be on repeat for a very long time)
10.0 (Perfect rating.  Doesn't really exist)

Let me know what you think!